DAN STEEVES

AVAILABLE ARTWORKS

Wrapped in something so much bigger, 2006, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Wrapped in something so much bigger, 2006, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm With fresh and desperate urgency, 2000, Crayon Etching, Edition of 16, 17.25 X 23.5 inches, 44 X 60cm With fresh and desperate urgency, 2000, Crayon Etching, Edition of 16, 17.25 X 23.5 inches, 44 X 60cm Who Will Guard The Door When I Am Sleeping, 2006, Crayon Etching, Edition of 13, 17.5 X 23.75 inches, 44 X 60 cm Who Will Guard The Door When I Am Sleeping, 2006, Crayon Etching, Edition of 13, 17.5 X 23.75 inches, 44 X 60 cm When we're called to share not common pleasures but pain, 2006, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60cm When we're called to share not common pleasures but pain, 2006, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60cm When I Remember Neil, 1991, Crayon Etching, Edition of 12, 22.75 X 17.5 inches, 58 X 44 cm When I Remember Neil, 1991, Crayon Etching, Edition of 12, 22.75 X 17.5 inches, 58 X 44 cm We'd Be Safe From What Went Wrong, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm We'd Be Safe From What Went Wrong, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm We know we've been given an incredible gift, 2006, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60 cm We know we've been given an incredible gift, 2006, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60 cm Things We Put on a Hill, 1995, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm Things We Put on a Hill, 1995, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm These are significant graces, 2004, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60cm These are significant graces, 2004, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60cm The wishful thoughts come, 2006, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60 cm The wishful thoughts come, 2006, Crayon Etching, Edition of 16, 17.5 X 23.75 inches, 44 X 60 cm The Thought Can Needle, 1997, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm The Thought Can Needle, 1997, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm The Struggle has Already its own Strange Fruit, 2000, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm The Struggle has Already its own Strange Fruit, 2000, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm The richness of the silence, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm The richness of the silence, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm The nesting impulse is strong, 2000, Crayon Etching, Edition of 16, 17.5 X 23.65 inches, 44 X 60 cm The nesting impulse is strong, 2000, Crayon Etching, Edition of 16, 17.5 X 23.65 inches, 44 X 60 cm The Last Home, 1995, Crayon Etching, Edition of 15, 17.5 X 23.25 inches, 44 X 59 cm The Last Home, 1995, Crayon Etching, Edition of 15, 17.5 X 23.25 inches, 44 X 59 cm The Holiness of the Domestic, 2003, Crayon Etching, Edition of 17, 17.5 X 23.5 inches, 44 X 60 cm The Holiness of the Domestic, 2003, Crayon Etching, Edition of 17, 17.5 X 23.5 inches, 44 X 60 cm The fencing of the table, 1997, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60cm The fencing of the table, 1997, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60cm The fact is we had little idea of what we were getting into, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm The fact is we had little idea of what we were getting into, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm The Constancy of Change, 1994, Crayon Etching, Edition of 17, 27.75 X 17.75 inches, 70 X 45cm The Constancy of Change, 1994, Crayon Etching, Edition of 17, 27.75 X 17.75 inches, 70 X 45cm The Burning of the Ledger, 1992, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm The Burning of the Ledger, 1992, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Some Kind of Honest Rendering of the Stuff of our Lives 2 Some Kind of Honest Rendering of the Stuff of our Lives 2 Sleep in the Storm, 1993, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Sleep in the Storm, 1993, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Silence, 1995, Crayon Etching, Edition of 18, 23.5 X 17.5 inches, 60 X 44 cm Silence, 1995, Crayon Etching, Edition of 18, 23.5 X 17.5 inches, 60 X 44 cm Ship of Fools, 1/15, crayon etching, 29.5 x 22.5 inches Ship of Fools, 1/15, crayon etching, 29.5 x 22.5 inches Samuel, 1988, Crayon Etching, Edition of 20, 23.5 X 17.5 inches, 60 X 44 cm Samuel, 1988, Crayon Etching, Edition of 20, 23.5 X 17.5 inches, 60 X 44 cm Safe passage, 1997, Crayon Etching, Edition of 18, 17.75 X 23.75 inches, 44 X 60 cmb&w Safe passage, 1997, Crayon Etching, Edition of 18, 17.75 X 23.75 inches, 44 X 60 cmb&w Perpending Midgic, 1997, Crayon Etching, Edition of 14, 17.5 X 23.5 inches, 44 X 60 cmb&w Perpending Midgic, 1997, Crayon Etching, Edition of 14, 17.5 X 23.5 inches, 44 X 60 cmb&w Nurtured by a certian kind of pace and rhythm, 2008, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm Nurtured by a certian kind of pace and rhythm, 2008, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm Noble's Shoes, 1993, Crayon Etching, Edition of First Stage of Proof, 17.5 X 23.5 inches, 44 X 60cm Noble's Shoes, 1993, Crayon Etching, Edition of First Stage of Proof, 17.5 X 23.5 inches, 44 X 60cm No Where to Be Seen, 1998, Crayon Etching, Edition of 16, 17 X 23.5 inches, 44 X 60 cm No Where to Be Seen, 1998, Crayon Etching, Edition of 16, 17 X 23.5 inches, 44 X 60 cm Navigation, 2008, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Navigation, 2008, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Marion's strength, 1993, Crayon Etching, Edition of 17, 23.5 X 17.5 inches, 60 X 44 cm Marion's strength, 1993, Crayon Etching, Edition of 17, 23.5 X 17.5 inches, 60 X 44 cm Which isn't to say that all is clear now, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm Which isn't to say that all is clear now, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm This deepening trust, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm This deepening trust, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm The way forward is the way back, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm The way forward is the way back, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm The maintenance of life, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm The maintenance of life, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm In the deep recesses of our hearts, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm In the deep recesses of our hearts, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm Stepping into the new unknown, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm Stepping into the new unknown, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm It is an Ancient Battle on the Fields of my Heart, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm It is an Ancient Battle on the Fields of my Heart, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm In the deep recesses of our hearts, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm In the deep recesses of our hearts, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm I'm circling back, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm I'm circling back, 2016, Crayon etching, 17.5 x 23.5 inches, 44 x 60 cm I Know Too That We All Live in Flux of One Sort or Another, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm I Know Too That We All Live in Flux of One Sort or Another, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm I Can't Stop Feeling There's Something More, 2008, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm I Can't Stop Feeling There's Something More, 2008, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm Landscape suite 8, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 8, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 7, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 7, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 6, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 6, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 5, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 5, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 4, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 4, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 3, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 3, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 2, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 2, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 1, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Landscape suite 1, 2016, Crayon etching, 4.25 x 7.75 in., 11 x 20 cm Cultivating a sense of being settled is always dangerous, 2016, Crayon etching, diptych, 17.5 x 47 inches, 44 x 119 cm Cultivating a sense of being settled is always dangerous, 2016, Crayon etching, diptych, 17.5 x 47 inches, 44 x 119 cm Crossing a threshold, 2009, Crayon etching, Diptych, edition of 16, 17.5 x 71.5 inches, 44 x 181 cm Crossing a threshold, 2009, Crayon etching, Diptych, edition of 16, 17.5 x 71.5 inches, 44 x 181 cm Crosses We Bear, 1990, Crayon Etching, Edition of 18, 17 X 23.5 inches, 44 X 60 cm Crosses We Bear, 1990, Crayon Etching, Edition of 18, 17 X 23.5 inches, 44 X 60 cm Announcing my eventual departure, 2016, Crayon etching, 1.5 x 23.5 inches, 44 x 60 cm Announcing my eventual departure, 2016, Crayon etching, 1.5 x 23.5 inches, 44 x 60 cm Allow Thoughts and Experiences to Accumulate Over Time, 2008, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Allow Thoughts and Experiences to Accumulate Over Time, 2008, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Acknowledging the Darkness, 2014, Edition of 13, Crayon etching, 17 x 24 inches, 44 x 60 cm Acknowledging the Darkness, 2014, Edition of 13, Crayon etching, 17 x 24 inches, 44 x 60 cm A primal affirmation, 2010, Crayon etching, edition of 15, 17.5 x 23.75 inches, 44 x 60 cm A primal affirmation, 2010, Crayon etching, edition of 15, 17.5 x 23.75 inches, 44 x 60 cm A Large Overarching Story, 2014, Edition of 13, Crayon Etching, 17 x 24 inches, 44 x 60 cm A Large Overarching Story, 2014, Edition of 13, Crayon Etching, 17 x 24 inches, 44 x 60 cm A huge part of the journey right now, 2016, Crayon etching, 17.5 x 23. 5 inches, 44 x 60 cm A huge part of the journey right now, 2016, Crayon etching, 17.5 x 23. 5 inches, 44 x 60 cm It's Been a Remarkable Ride These Past Twenty Years, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm It's Been a Remarkable Ride These Past Twenty Years, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm It Would Feel Like Pure Cowardice to Pull out Now, 2008, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm It Would Feel Like Pure Cowardice to Pull out Now, 2008, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm It Takes a lot less to knock me off kilter, 2008, Crayon Etching, Edition of 14, 17.5 X 23.5 inches, 44 X 60 cm It Takes a lot less to knock me off kilter, 2008, Crayon Etching, Edition of 14, 17.5 X 23.5 inches, 44 X 60 cm It offered a more guarded and controllable sort of life, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm It offered a more guarded and controllable sort of life, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm I Often Feel When I'm Fighting to Survive, 2008, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm I Often Feel When I'm Fighting to Survive, 2008, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm I Know Too That We All Live in Flux of One Sort or Another, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm I Know Too That We All Live in Flux of One Sort or Another, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60cm I feel the infusion of hope and peace, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm I feel the infusion of hope and peace, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm I Can't Stop Feeling There's Something More, 2008, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm I Can't Stop Feeling There's Something More, 2008, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm How Puny My Pool of Grace Really Is, 2003, Crayon Etching, Edition of 14, 17.5 X 23.5 inches, 44 X 60 cm How Puny My Pool of Grace Really Is, 2003, Crayon Etching, Edition of 14, 17.5 X 23.5 inches, 44 X 60 cm How precarious this place of creativity.... 2004 How precarious this place of creativity.... 2004 Her Works Bring Her Praise, 1990, Crayon Etching, Edition of 15, 23.5 X 15.5 inches, 60 X 39 cm Her Works Bring Her Praise, 1990, Crayon Etching, Edition of 15, 23.5 X 15.5 inches, 60 X 39 cm Free to ignore moments of restlessness in the mind, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm Free to ignore moments of restlessness in the mind, 2006, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm Familiar voices, 1993, Crayon Etching, Edition of 18, 23.5 X 17.5 inches, 60 X 44 cm Familiar voices, 1993, Crayon Etching, Edition of 18, 23.5 X 17.5 inches, 60 X 44 cm Epekstasis, 1999, Crayon Etching, Edition of 20, 23.75 X 17.5 inches, 60 X 44 cm Epekstasis, 1999, Crayon Etching, Edition of 20, 23.75 X 17.5 inches, 60 X 44 cm During this season of unsettling, 2001, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm During this season of unsettling, 2001, Crayon Etching, Edition of 15, 17.5 X 23.75 inches, 44 X 60 cm Demise of the north american family, 1989, Crayon Etching, Edition of 25, 23.5 X 17.5 inches, 60 X 44 cm Demise of the north american family, 1989, Crayon Etching, Edition of 25, 23.5 X 17.5 inches, 60 X 44 cm A primal affirmation, 2010, Crayon etching, edition of 15, 17.5 x 23.75 inches, 44 x 60 cm A primal affirmation, 2010, Crayon etching, edition of 15, 17.5 x 23.75 inches, 44 x 60 cm Crosses We Bear, 1990, Crayon Etching, Edition of 18, 17 X 23.5 inches, 44 X 60 cm Crosses We Bear, 1990, Crayon Etching, Edition of 18, 17 X 23.5 inches, 44 X 60 cm Allow Thoughts and Experiences to Accumulate Over Time, 2008, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Allow Thoughts and Experiences to Accumulate Over Time, 2008, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Closure, 1995, Crayon Etching, Edition of 16, 17. 5 X 23.5 inches, 44 X 60cm Closure, 1995, Crayon Etching, Edition of 16, 17. 5 X 23.5 inches, 44 X 60cm Allow Thoughts and Experiences to Accumulate Over Time, 2008, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Allow Thoughts and Experiences to Accumulate Over Time, 2008, Crayon Etching, Edition of 13, 17.5 X 23.5 inches, 44 X 60 cm Again, a pure gift of grace, 2006, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Again, a pure gift of grace, 2006, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm Aberdeen, 1995, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm Aberdeen, 1995, Crayon Etching, Edition of 15, 17.5 X 23.5 inches, 44 X 60 cm A Way of Treachery and Trouble, But Just as Surely a Way to Hope, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm A Way of Treachery and Trouble, But Just as Surely a Way to Hope, 2003, Crayon Etching, Edition of 16, 17.5 X 23.5 inches, 44 X 60 cm A remarkable experience of grace, 2005, Crayon Etching, Edition of 14, 17.5 X 23.5 Inches, 44 X 60 cm A remarkable experience of grace, 2005, Crayon Etching, Edition of 14, 17.5 X 23.5 Inches, 44 X 60 cm A note of promise hangs over it all, 2000, Edition of 14, 17. x x 23.5 inches, 44 x 60 cm A note of promise hangs over it all, 2000, Edition of 14, 17. x x 23.5 inches, 44 x 60 cm A kind of awe and reverence and wonder, 2005, Crayon Etching, Edition of 13, 17.5 X 23.75 inches, 44 X 60cm A kind of awe and reverence and wonder, 2005, Crayon Etching, Edition of 13, 17.5 X 23.75 inches, 44 X 60cm A good and safe place to be, 1997, Crayon Etching, Edition of 15, 23 .75 X 15 .5 inches, 60 X 39cm A good and safe place to be, 1997, Crayon Etching, Edition of 15, 23 .75 X 15 .5 inches, 60 X 39cm 10 Years On, 1994, Crayon Etching, Edition of 15, 17.5 X 23 inches, 44 X 59 cm 10 Years On, 1994, Crayon Etching, Edition of 15, 17.5 X 23 inches, 44 X 59 cm

Dan Steeves is a New Brunswick based artist who has received numerous awards for his intaglio prints. Included in those awards are the Elizabeth Greenshields Foundation Award and the Strathbutler Award for excellence in the arts. He has also been elected to the Royal Canadian Academy of Arts. His work has been exhibited in public and private exhibitions across Canada and in the United States as well as several countries throughout Asia, Europe and in Ukraine. Dan’s images are represented in the Canada Council and New Brunswick art banks and numerous other public, institutional and private collections.

Dan has published two books: ‘The Bone Fields’ and ”The Light That Lives in Darkness’. He recently released ‘The Mutability of Knowing’, a boxed folio suite of images with an accompanying essay by Andrew Steeves of the Gaspereau Press. Dan has been featured in the Devil’s Artisan 73 Journal of the Printing Arts. In this journal, Tom Smart contributed his essay ‘Dan Steeves: What Lies Unseen’, an illustrated examination of his work and career.

Dan’s solo exhibition ‘The Memory of Pain’, with guest curator Tom Smart, has been exhibited at the Confederation Centre of the Arts and is currently on exhibit at the Beaverbrook Art Gallery in Fredericton, New Brunswick (2015).

Dan Steeves is Printmaking Technician and Lecturer in the Fine Arts Department at Mount Allison University, Sackville, New Brunswick.

  • 2017: The Space Between, A Collaboration Between Kevin Morse and Dan Steeves, Owens Art Gallery, Sackville, NB; Saint John Arts Centre, Saint John, NB
  • 2015: The Memory of Pain, Beaverbrook Art Gallery, Fredericton, NB
  • 2013: Selected works from The Memory of Pain, Peter Buckland Gallery, Saint John, NB
  • 2013: The Memory of Pain, Confederation Centre Art Gallery, Charlottetown, PE
  • 2010: crossing a threshold, Owens Art Gallery, Sackville, NB
  • 2008: Dan Steeves: Tantramar Gothic, Regent College, Vancouver, BC
  • 2008: Dan Steeves: Tantramar Gothic, Station Gallery, Whitby, ON
  • 2008: Dan Steeves, Tides Institute and Museum, Eastport, MEUSA
  • 2008: Navigating the Familiar: The etchings of Dan Steeves, NB Museum, Saint John, NB
  • 2007: The Still Point of the Turning World, Peter Buckland Gallery, Saint John, NB
  • 2005–2007: The House as Fortress, Barrington Center for the Arts, Gordon College, Wenham, MAUSA; Regent College, UBC, Vancouver, BC
  • 2001: Recent Work, Moncton Art Gallery, Moncton, NB
  • 1999–2001: Things We Put on a Hill, Prince George Art Gallery, Prince George, BCUNB Art Centre, Fredericton, NB; Moose Jaw Art Museum, Moose Jaw, SK; Art Gallery of Algoma, Sault Saint Marie, ON; Owens Art Gallery, Sackville, NB; Regent College, Vancouver, BC; WKP Kennedy Gallery, North Bay, ON; Confederation Centre Art Gallery, Charlottetown, PE; Acadia University Art Gallery, Wolfville, NS
  • 1999: Dan Steeves, Galerie D’Art Jean-Claude Bergeron, Ottawa, ON
  • 1995: Passage, The Lookout Gallery, Regent College, Vancouver, BC
  • 1993-1994: The Bone Fields, Blackwood Gallery, University of Toronto; Mount St. Vincent University, Halifax, NS; Beaverbrook Art Gallery, Fredericton, NB
  • 1992-1993: Sight Unseen, UNB Art Centre, Fredericton, NB; Art Gallery Nova Scotia, Halifax, NS; Owens Art Gallery, Sackville, NB
  • 1992: Etchings, Regent College, Vancouver, BC
  • 1992: Crayon Etchings, Malaspina Printmakers Gallery, Vancouver, BC
  • 1990: Recent Work, Windsor Printmakers Forum, Windsor, ON
  • 1984: Observances, Owens Art Gallery, Sackville, NB

Selected Group Exhibitions

  • 2017: Swan Song, Buckland Merrifield Gallery, Saint John, NB (curated)
  • 2017: Open Studio Print Sales Gallery at 2/edition, Metro Toronto Convention Centre, Toronto, ON (curated)
  • 2016: Contemporary Currents: Nine New Brunswick Artists, University of Maine Art Museum, Bangor, MEUSA (curated)
  • 2015: The Boston Printmakers 2015 North American Print Biennial, Lesley University College of Art and Design, Cambridge, MAUSA (juried)
  • 2015: 2 Solitudes, Purdy Crawford Centre for the Arts, Mount Allison University, Sackville, NB
  • 2015: New Prints 2015/Summer, International Print Center New York, NY, USA (curated)
  • 2015: On Your Marks…, Open Studio Print Sales Gallery, Toronto, ON (curated)
  • 2014: Nova Scotia Printmakers Association 6th Annual Member Exhibition, Chase Exhibition Room, Nova Scotia Archives, Halifax, NS
  • 2014: 13 Artists The Fine Arts Department Exhibition, Owens Art Gallery, Mount Allison University, Sackville, NB (curated)
  • 2014: Mount Allison University Alumni Exhibition, Purdy Crawford Centre for the Arts, Sackville, NB (juried)
  • 2014: Featured artist, Abbozzo Gallery, Toronto, ON
  • 2014: Open Studio National Printmaking Award 2014 Shortlisted Artists, Open Studio, Toronto, ON
  • 2014–2015: VanGo!, the NB Art Bank on Tour to Anglophone Schools 2014–2015, Province of New Brunswick
  • 2013: You Can Call Me Al, Owens Art Gallery, Mount Allison University, Sackville, NB(curated)
  • 2013: New Prints/New Narratives: Summer 2013, International Print Center New York, NY, USA (juried)
  • 2013: Tech Triple Threat, Southern Graphics Council, Milwaukee, Wisconsin, USA [curated]
  • 2012: The 4th Annual Archives Print Exhibition, Nova Scotia Archives building, Halifax, NS
  • 2012: North by Northeast: Nova Scotia Printmakers, The Ink Shop, Ithaca, NYUSA
  • 2012-2014: Acquisitions 2011-2012 NB Art Bank, Salon Irene Grant-Guerette (ARCF), Saint John, NB; Restigouche Galerie, Campbellton, NB; Galerie Artcadienne, Carrefour Beausoleil, Miramichi, NB; Galerie Colline, Université de Moncon, Campus d’EdmundstonNBGalerie Trecarre, Université Sainte-Anne, Pointe-de-l’ÉgliseNSCentre des arts et de la culture de DieppeNBCentre culturel de Bouctouche, BouctoucheNB; University of New Brunswick Art Centre, Fredericton, NBGalerie d’art Berard-Jean, Centre culturel de Caraquet, CaraquetNBNB Museum, Saint John, NB (Juried, touring);
  • 2012: Ornamental Branch, Owens Art Gallery, Mount Allison University, Sackville, NB
  • 2012: North by Northeast: Nova Scotia Printmakers, The Ink Shop, Ithaca, NY, USA (juried)
  • 2012: New Prints 2012/Winter, International Print Center, New York, NY, USA (juried)
  • 2012: The 3rd Annual Archives Print Exhibition, Nova Scotia Archives building, Halifax, NS
  • 2011: RCA New Inductees Exhibition, Harbinger Gallery, Waterloo, ON
  • 2011: The Atlantic Art Collection: Image and Identity, Beaverbrook Art Gallery, Fredericton, NB{curated}
  • 2011: Proof, Owens Art Gallery, Mount Allison University, Sackville, NB {curated}
  • 2010: The 2nd Annual Archives Print Exhibition, Nova Scotia Archives building, Halifax, NS
  • 2010: Regard… Strathbutler 20 Years, New Brunswick Museum, Saint John, NB {curated}
  • 2010: The Things That Drift Away: The Department of Fine Arts Exhibition, Owens Art Gallery, Sackville, NB
  • 2010: 10 × 10 × 10, Two Rivers Gallery, Prince George, BC {invitational}
  • 2009: 6th Novosibirsk Graphic Art Biennial, Novosibirsk, Russia, {curated}
  • 2008-2012: Sense of Place, University of Toronto Art Center, Toronto, ON; Thames Art Gallery, Chatham, ON; Yukon Art Centre, Whitehorse, YK; McIntosh Art Gallery, London, ON; Sudbury Art Gallery, Sudbury, ON; Thunder Bay Art Gallery, Thunder Bay, ON; Cape Breton University Art Gallery {juried, touring}
  • 2008: Celebrating 40 years: An Anniversary of the Brunswick Art Bank, Old Government House, Fredericton, NB {touring 2008–2010}
  • 2008: Destination, Real or Imagined, Pearson International Airport Airspace Gallery [juried]
  • 2007: Sense of Place, Windsor Printmaker’s Forum, Windsor, ON [juried]
  • 2007: Hope: an Invitational Show, Regent College, Vancouver, BC
  • 2006-2007: MAAPS International Printmaking Exhibition, The Anna Leonowens Art Gallery, Halifax, NS (juried, touring)
  • 2005: A Sense of Place, Explorations of the Landscape by David Blackwood, Thaddeus Holownia and Dan Steeves, Abbozzo Gallery, Oakville, ON (curated)
  • 2005: New Prints 2005/Summer: Etchings, International Print Center New York, NY, USA (juried)
  • 2005: Planes, Trains and Automobiles, Print Sales Gallery, Open Studio, Toronto, ON (four person show)
  • 2004: Accumulations: Recent work by Artists, Fine Arts Department, Mount Allison University, Owens Art Gallery, Sackville, NB
  • 2003: Inksmithing: Nova Scotia Printmakers Association Bi-Annual Exhibition, St. Francis Xavier University Art Gallery, Antigonish, NS
  • 2003: Tenth Anniversary Exhibition, Abbozzo Gallery, Oakville, ON
  • 2003: Water, Abbozzo Gallery, Oakville, ON
  • 2003: Bread Upon the Waters, Gallery W, Sacramento, California, USA {juried}
  • 2002: September 11, 2001 Memorial Portfolio, Higgins Art Gallery, Cape Cod Community College, MAUSA
  • 2002: Recent Work, Mount Allison University Biennial Faculty Exhibition, Owens Art Gallery, Sackville, NB
  • 2002: Recent Acquisitions, Confederation Centre of the Arts, Charlottetown, PE {curated}
  • 2002: 2001-2002 Acquisitions Exhibition, NB Art Bank, Galerie d’art de l’Université de Moncton, Moncton, NB {juried, touring}
  • 2001-2002: Black, White and Grey, Owens Art Gallery, Sackville, NB {curated}
  • 2001: Works In A Box, Peter Buckland Gallery, Saint John, NB
  • 2001: Printmakers Showcase, The Printmakers Council of PEI, Arts Guild, Charlottetown, PE
  • 2001: Fathom Four — The Seventh Wave, Aitken Bicentennial Exhibition Centre, Saint John, NB
  • 2001: Innovation on Paper, Acadia University Art Gallery, Wolfville, NS {juried}
  • 2001: Artists in a floating world, London Regional Gallery, London, ON {curated}
  • 2001: Artists in a floating world, Dalhousie Art Gallery, Halifax, NS {curated}
  • 2000: Sackville Addresses, Owens Art Gallery, Sackville, NB {curated}
  • 2000: Those who teach, do, Mount Allison University Biennial Faculty Exhibition, Owens Art Gallery, Sackville, NB
  • 2000: Artists in a floating world, the Marion McCain Atlantic Art Exhibition, Beaverbrook Art Gallery, Fredericton, NB {curated}
  • 1999/2000: Dialogue Among Cultures, Moncton, NB (Juried) (Touring)
  • 1998: Black and White, Abbozzo Gallery, Toronto, ON (Two Person)
  • 1998: Gallery Printmakers, Edward Day Gallery, Toronto, ON
  • 1998: Structures in the Landscape, Owens Art Gallery, Sackville, NB(Curated)
  • 1998: Acquisitions 1997-98, NB“>Galerie Sans Nom, Moncton, NB (Juried)
  • 1998: Three Printmakers, Handworks, Saint John, NB
  • 1997: Contemporary Nova Scotia Printmakers, Bristol, UK (Juried)
  • 1997: Beyond Boundaries, Richmond Art Center, Richmond, California, USA (Juried)
  • 1997: Nova Scotia Printmakers Exhibition, Engramme, Quebec City, QC (Juried)
  • 1996: Contemporary Nova Scotia Printmakers, Dundee Printmakers Workshop, Seagate Gallery, Dundee, UK (Juried)
  • 1996: Nova Scotia Printmakers Exhibition, Anna Leonowens Art Gallery, Halifax, NS (Juried)
  • 1995: The 7th International Biennial Print and Drawing Exhibit: 1995 ROC, Taipei Fine Arts Museum, Taiwan (Juried)
  • 1995: 45th North American Print Exhibition, Duxbury Art Complex Museum, Ma, USA (Juried)
  • 1993: The 2nd Sapporo International Print Biennale, Sapporo, Japan (Juried)
  • 1993: The 6th International Biennial Print and Drawing Exhibit: 1993 ROC, Taipei Fine Arts Museum, Taipei, Taiwan (Juried)
  • 1993: Third Edition: Nova Scotia Printmakers Association Juried Print Show, Acadia University Art Gallery, Wolfville, NS (Juried)
  • 1993: The First International Print Biennial, Maastricht, NL (Juried)
  • 1992: The 8th International Graphic Exhibition, Istituto Per La Cultura E L’Arte, Catania, IT(Invitational)
  • 1992: The 17th International Independant Exhibition of Prints in Kanagawa, Kanagawa Prefecture Gallery, Yokahama, Kanagawa, Japan
  • 1992: Selections from the Print Collection, Inner Galley, The Print and Drawing Gallery of Canada, Toronto, ON (Juried)
  • 1991: The 5th International Biennial Print Exhibit: 1991 ROC, Taipei Fine Arts Museum, Taipei, Taiwan. (Juried)
  • 1991: International Exhibition of Graphic Art and Poster “4th Block”, Kharkov State Art Museum, Gallery of Painter House, Kharkov, Ukraine, USSR
  • 1990: Art Gallery Nova Scotia Collections Series; Nova Scotia Printmakers Association, Art Gallery Nova Scotia, Halifax, NS, Touring 1991-1992
  • 1990: The 16th International Independante Exhibition of Prints in Kanagawa, Kanagawa Prefecture Gallery, Yokohama, Kanagawa, Japan
  • 1990: Living Proof, Saint Francis Xavier Art Gallery, Antigonish, NS
  • 1989: Sympathy Exhibition for Civil Liberties in China, The Gallery of Erindale College, Erindale Campus, University of Toronto, Mississauga, ON
  • 1989: 15th International Independante Exhibition of Prints in Kanagawa, Kanagawa Prefecture Gallery, Yokohama, Kanagawa, Japan
  • 1989: Atque Ars 1854-1989 — Art from Mount Allison University, Owens Art Gallery, Sackville, NB (Juried)
  • 1989: Medicine Hat Print Show, Medicine Hat Cultural Centre, Medicine Hat, AB, and Virginia Christopher Gallery, Calgary, AB (Juried)
  • 1989: Short Stories, Open Studio, Toronto, ON
  • 1989: Seventh Annual Maine/Maritime Flatwork Exhibition, University of Maine at Presque Isle, Presque Isle, ME, USA (Juried)
  • 1988: Time, Paradigm Shifts, Kitchener, ON (Published in Printed Matter Beyond My Time Frame, [Quarry Press, 1988]) (Juried)
  • 1988: Acquisitions 87-88, The Art Centre, The University of New Brunswick, Fredericton, NB(Juried)
  • 1988: 12th International Print Biennale, Exhibition Hall of the Bureau for Artistic Exhibitions, Cracow, Poland; and Bureau for Artistic Exhibitions, Katowice, Poland (Juried)
  • 1988: New Work from Sackville, Niagara Artists Centre, St. Catharines, ON (Juried)
  • 1987: New Brunswick Art Competition, Beaverbrook Art Gallery, Fredericton, NB, Toured 1987/1988 (Juried)
  • 1987: Fifth Annual Maine/Maritime Flatwork Exhibition, University of Maine at Presque Isle, Presque Isle, MEUSA (Juried)
  • 1986: Art at Mount Allison, The Past Decade, Owens Art Gallery, Sackville, NB
  • 1985: Third Annual Maine/Maritime Flatwork Exhibition, University of Maine At Presque Isle, Presque Isle, MEUSA (Juried)
  • 1984: New Brunswick Juried Exhibition, Beaverbrook Art Gallery, Fredericton, NB
  • 1984: Second Annual Maine/Maritime Flatwork Exhibition, University of Maine At Presque Isle, Presque Isle, MEUSA (Juried)
  • 1983: Atlantic Print Exhibition, Art Gallery of Nova Scotia, Halifax, NS, Toured Atlantic Provinces 1983/84 (Juried)
  • 1983: First Annual Maine/Maritime Flatwork Exhibition, University of Maine at Presque Isle, Presque Isle, MEUSA (Juried)
  • 1982: New Brunswick Printmakers Exhibition, Saint John, NB
  • Collaboration elevates art to new space, Salon, Telegraph Journal, Saint John, NB, 2017
  • RE:collection at Confederation Centre Art Gallery, Confederation Centre Art Gallery, 2017
  • Kevin Morse & Dan Steeves The Space Between, Vie des Arts, No 247, 2017
  • The Space Between, Owens Art Gallery, Sackville, NB, 2017
  • What Lies Unseen, The Devil’s Artisan 73, Porcupine’s Quill Press, 2013
  • Dan Steeves Prints of Hope and Redemption and the Search for Self, Journal of the Print World, 2013
  • New Prints/New Narratives, International Print Center New York, 2013
  • The Memory of Pain, Confederation Centre Art Gallery, 2013
  • Scar Tissue, Salon, Telegraph Journal, Saint John, NB, 2013
  • Scratching Beyond the Surface, Salon, Telegraph Journal, Saint John, NB, 2013
  • The Places in Between, Canadian Geographic, Ottawa, ON, 2011
  • crossing a threshold, Owens Art Gallery, Sackville, NB
  • Tantramar Gothic, New work by Dan Steeves, Station Gallery, Whitby, ON, 2008
  • That Place by Tantramar, The Town of Sackville, 2007
  • The Still Point of the Turning World, Peter Buckland Gallery, 2007
  • Meetings with Maritime Poets, Interviews with Anne Compton, Fitzhenry & Whiteside, 2006
  • The Enchanted House, The Acorn Press, 2006
  • Trade edition, The Light That Lives In Darkness, Gaspereau Press, 2006
  • A Sense of Place: Explorations of the Landscape by David Blackwood, Thaddeus Holownia and Dan Steeves, Abbozzo Gallery, 2005
  • The House as Fortress: the dichotomy of symbolic structure, 2005
  • A Twenty-first Century Etching Revival, International Print Center New York, 2005
  • Turning ordinary into extraordinary, The Halifax Herald, August 15, 2004
  • The Light That Lives In Darkness, Gaspereau Press, 2004
  • Gabriel’s Wing, Gaspereau Press, 2004
  • Midgic, Gaspereau Press, 2003
  • Gravity and Grace: Selected Writing on Contemporary Canadian Art, Gaspereau Press, 2001
  • The Gaspereau Review, No 14, Winter, 2001
  • sackville addresses,> Owens Art Gallery, 2000
  • Artists in a floating world: the Marion McCain Atlantic Art Exhibition, 2000
  • The Financial Post, May, 1999
  • Canadian Art, Spring, 1999
  • Things We Put on a Hill, 1999.
  • The Prisoner’s Dilemma, Parodox & the Prints of Dan Steeves, Arts Atlantic, no. 63, 1999
  • The Gaspereau Review, No. 2, Winter, 1997
  • Lives that were lived, The New Brunswick Reader, December 13, 1997
  • The Bone Fields, 1993
  • Extension, volume 2, no. 3, Spring, 1993
  • Sight Unseen: Recent Work of Dan Steeves, Art Gallery of Nova Scotia Journal, vol. 9/2, 1992
  • Art that’s all about life and faith, Christian Week, Winnipeg, Manitoba, October 22, 1991
  • Sight Unseen: Recent work by Dan Steeves, Arts Atlantic, no. 41, 1991
  • Sight Unseen, Owens Art Gallery, Sackville, NB, 1991
  • AGNS Collections Series Nova Scotia Printmakers Association,> Art Gallery of Nova Scotia Journal, vol. 8/1, 1991
  • Living Proof: Nova Scotia Printmakers Association,> Arts Atlantic, no. 38, 1990
  • Pottersfield Portfolio, vol. 11, Halifax, NS, 1989
  • Prints in the Sands of Time, The Whig Standard Magazine, Kingston, ON, November 26, 1988
  • Printed Matter Beyond My Time Frame, Quarry Press, Kingston, ON, 1988
  • 1987 New Brunswick Art Competition, Arts Atlantic, No. 31, 1988
  • 2014: First Place Open Studio’s National Printmaking Awards
  • 2014: Marjorie Young Bell Fine Arts Award, Mount Allison University
  • 2012: Research and Creative Activity Committee, Mount Allison University
  • 2011: Elected to the Royal Canadian Academy for the Arts
  • 2010: Arts-by-Invitation Travel Grant, New Brunswick Arts Board
  • 2008: Travel Grant, Canada Council for the Arts
  • 2008: Arts-by-Invitation Travel Grant, New Brunswick Arts Board
  • 2007: Winner, Strathbutler Award
  • 2006: Finalist, Strathbutler Award
  • 2005: Arts-by-Invitation Travel Grant, New Brunswick Arts Board
  • 2003: Research and Creative Activity Committee, Mount Allison University
  • 2002: Marjorie Young Bell Fine Arts Award, Mount Allison University, for the publication of the book The Light That Lives In Darkness
  • 2000: Internal SSHRC Award, Mount Allison University
  • 1999: Travel Grant, Department of Economic Development, Tourism, Culture, Province of New Brunswick
  • 1998: Creation Grant, Department of Economic Development, Tourism, Culture, Province of New Brunswick
  • 1992: Cooperation Agreement
  • 1990: Canada Council Exhibition Award
  • 1990: Out of Province Solo Exhibition Award Dept. Of Historical and Cultural Resources, Province of New Brunswick
  • 1987: New Brunswick Art Competition 2nd Prize — Professional Status
  • 1985: Canadian Award, Third Annual Maine/Maritime Flatwork Exhibition
  • 1984: Solo Exhibition Award Department of Historical and Cultural Resources Province of New Brunswick
  • 1981: Elizabeth Greenshields Foundation Award
  • Acadia University
  • Aliant Inc.
  • Art Gallery of Nova Scotia
  • Beaverbrook Art Gallery
  • Blackwood Gallery, University of Toronto
  • Canada Council Art Bank
  • Canada Customs and Revenue Agency
  • Canadian House, Nagoya, Japan
  • Chernobyl Disaster Museum, Kharkov, Ukraine, USSR
  • Confederation Centre of the Arts Crandell University
  • Estate of Hon. Richard Hatfield Gaspereau Press
  • Glenworth Financial
  • Gordon College, Wenham, MA
  • Dr Georges-L Dumont Regional Hospital
  • Istituto Per La Cultura E L’Arte, Catania, Italy
  • Marion Nicoll Gallery, Alberta College of Art
  • National Bank of Canada National Library of Canada New Brunswick Art Bank
  • New Brunswick Museum
  • Owens Art Gallery, Mount Allison University
  • Regent College
  • Royal Bank
  • Sackville Memorial Hospital
  • SGCI Communications Inc.
  • Sheila Hugh Mackay Collection of Strathbutler Winners
  • Sistema New Brunswick
  • Son Group
  • Station Gallery
  • Tantramar Interactive Inc.
  • The Moncton Hospital
  • Tides Institute and Museum of Art, Eastport, Maine
  • Toronto Reference Library Town of Riverview
  • UNB Art Centre, University of New Brunswick
  • University of British Columbia Library
  • University of Calgary
  • Private collections

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