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- A great truth, 2016
- Ambiguous Plasm, 2016
- Bear Cove, 2015
- Caribou, 2015
- Control, 2016
- Differentiated plasm # 1, 2016
- Differentiated plasm # 2, 2016
- Fantastic teleplasm, 2016
- Hamilton House, 2016
- His Holy Arm, 2016
- Intelligent manipulation, 2016
- Intention and Survival, 2016
- Loader with wide furrow, 2015
- Mooring, 2014
- Not Afraid (of Nothing), 2009
- Poole, 2016
- Proof, 2016
- Rigid circle (cataleptic), 2016
- Scrutineer, 2016
- Semaphor (error), 2012
- Shadow Ladder, 2008
- Skein, 2015
- Sleeper, 2016
- Spring, 2014
- The Harrowing of Hell, 2012
- Trance products, 2016
- Travellers (A Horrible Thing Has Crossed My Path), 2011
- Undifferentiated plasm (1929), 2016
- Walter, 2016
- Within the Veil, 2016
- Cabinet (three mediums), 2016
- Dawn, 2016
- Emanation (chair), 2016
- Emanation (mass)., 2016
- Emergence and retreat, 2016
- Foot control, 2016
- Haunt (185), 2016
- Headlands, 2021
- Imitative forms, 2016
- Magdalene laundry, 2015
- Materializations, 2016
- Mina, 2016
- Nursery, 2013
- Port (deep water), 2015
- Re-absorbtion, 2016
- Sitting, 1933, 2015
- Survival theory, 2016
- The unseen (witness), 2016
- Transducer (light trap), 2013
- X
- Tumblr
Michael Pittman creates images and objects that are informed by a tangled relationship between psychology, folk belief and personal narrative.
When Michael makes images or things, he projects an accumulation of personal experience onto a specific subject. The result is something that is highly representative of the particular way that he decodes the world. Though highly specific, he believes there is also commonality in the way that we all process and internalize experience. There is a disquieting strangeness that pervades the almost-familiar image; its unfixed meaning arouses an uncomfortable instability. Michael embraces the ambiguous nature of things: the terrifying uncertainty of meaning. He tries to reflect, and sometimes deconstruct the processes by which we perceive and process information.