Dancing with Wood: 50 Years of Woodcuts: Naoko Matsubara
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Naoko Matsubara, Tropical Bird Watching A 6/30, 2004 Sold
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Naoko Matsubara, Westinghouse A/P, 1962 Sold
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Naoko Matsubara, Water Spirit A, 1/20From 'Tales of Days Gone By', 2002 Sold
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Naoko Matsubara, Visions of Sculpture F, 2005 Sold
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Naoko Matsubara, Victor Conducting Beethoven Symphony # 9 at Ontario Place 26/50, 1980 Sold
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Naoko Matsubara, Tibetan Sky E 7/25, 1986 Sold
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Naoko Matsubara, Summer Pond E 12/20, 2013 Sold
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Naoko Matsubara, Tibet B 6/25, 1995 Sold
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Naoko Matsubara, Hiroshima 2nd edition 1/5, from the portfolio 'Tokonoma', 1998 Sold
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Naoko Matsubara, In Praise of Trees C 1/12, 2013 Sold
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Naoko Matsubara, Inner Strength A/P, 1966 Sold
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Naoko Matsubara, Lines of Force A/P from Tokonoma, 1998 Sold
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Naoko Matsubara, Noh (Noh Actor), 2nd, 8/30, 1977 Sold
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Naoko Matsubara, PIne Rebirth 1/10, 2013 Sold
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Naoko Matsubara, Shimmering Spring A 7/12, 2013 Sold
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Naoko Matsubara, Dancing Tree A/P from an edition of 25, 1967 Sold
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Naoko Matsubara, Egg Hatching J, 2007 Sold
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Naoko Matsubara, Evening Sunlight 4/15, 2014 Sold
For over fifty years Naoko Matsubara has worked in, through, with, and about “wood.” She has engaged with the material in its raw and processed form, revelling in it as her preferred medium for creative expression. From the start she rejected the rigidity of traditional Japanese woodcut printmaking (ukiyo-e), her heritage, embracing instead the modernist tenets of self-identity, subjective response, spontaneity and freedom of expression, and enhancement of the medium’s inherent qualities. She has, for all intents and purposes, “danced” wood, profoundly and with conviction. This dance has manifested itself in myriad ways, her own aesthetic sense being guided by her personal predilections and impulses at any given time. Challenging herself to venture within and beyond the conventional boundaries of the woodcut, driving her creative processes with new inflections of technique, she has created a body of work that is consistently rich in content, powerful in expression, and evocative to the core.